Bach: 6 Suiten fur Violoncello solo

作曲 Johann Sebastian Bach
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カテゴリ:CD
JAN:0028944971125
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トラックリスト
Disc : 1
  1. Suite No. 1 In G Major BWV 1007: Prelude
  2. Suite No. 1 In G Major BWV 1007: Allemande
  3. Suite No. 1 In G Major BWV 1007: Courante
  4. Suite No. 1 In G Major BWV 1007: Sarabande
  5. Suite No. 1 In G Major BWV 1007: Menuet 1 - 2
  6. Suite No. 1 In G Major BWV 1007: Gigue
  7. Suite No 2 In D Minor BWV 1008: Prelude
  8. Suite No 2 In D Minor BWV 1008: Allemande
  9. Suite No 2 In D Minor BWV 1008: Courante
  10. Suite No 2 In D Minor BWV 1008: Sarabande
  11. Suite No 2 In D Minor BWV 1008: Menuet 1 - 2
  12. Suite No 2 In D Minor BWV 1008: Gigue
  13. Suite No. 3 In C Major BWV 1009: Prelude
  14. Suite No. 3 In C Major BWV 1009: Allemande
  15. Suite No. 3 In C Major BWV 1009: Courante
  16. Suite No. 3 In C Major BWV 1009: Sarabande
  17. Suite No. 3 In C Major BWV 1009: Bourree 1 - 2
  18. Suite No. 3 In C Major BWV 1009: Gigue
Disc : 2
  1. Suiten No. 4 Es-dur Bmv 1010: 1. Prelude
  2. Suiten No. 4 Es-dur Bmv 1010: 2. Allemande
  3. Suiten No. 4 Es-dur Bmv 1010: 3. Courante
  4. Suiten No. 4 Es-dur Bmv 1010: 4. Sarabande
  5. Suiten No. 4 Es-dur Bmv 1010: 5. Bourree 1 - 2
  6. Suiten No. 4 Es-dur Bmv 1010: 6. Gigue
  7. Suite No. 5 c-moll Bmv 1011: 1. Prelude
  8. Suite No. 5 c-moll Bmv 1011: 2. Allemande
  9. Suite No. 5 c-moll Bmv 1011: 3. Courante
  10. Suite No. 5 c-moll Bmv 1011: 4. Sarabande
  11. Suite No. 5 c-moll Bmv 1011: 5. Gavotte 1 - 2
  12. Suite No. 5 c-moll Bmv 1011: 6. Gigue
  13. Suite No. 6 D-dur Bmv 1012: 1. Prelude
  14. Suite No. 6 D-dur Bmv 1012: 2. Allemande
  15. Suite No. 6 D-dur Bmv 1012: 3. Courante
  16. Suite No. 6 D-dur Bmv 1012: 4. Sarabande
  17. Suite No. 6 D-dur Bmv 1012: 5. Gavotte 1 - 2
  18. Suite No. 6 D-dur Bmv 1012: 6. Gigue
エディターレビュー
Elegance is the quality in Pierre Fournier's playing that makes the first and, ultimately, the most lasting impression. He finds great depth in the suites, but he shows constant awareness that he is playing mostly dance music (usually, and importantly, French dance music), that joy is its most important underlying emotion and that graceful movement and rhythmic fluency are essential. --Joe McLellan
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