Suites for Solo Cello

作曲 Johann Sebastian Bach , Piano György Sebok
価格: (税込)
レーベル:Philips
カテゴリ:CD
:1990236
JAN:0028943275620
Amazon.co.jp 売上ランキング:音楽で15088位

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トラックリスト
Disc : 1
  1. Suite No. 1 In G Major: Praeludium
  2. Suite No. 1 In G Major: Allemande
  3. Suite No. 1 In G Major: Courante
  4. Suite No. 1 In G Major: Sarabande
  5. Suite No. 1 In G Major: Menuets
  6. Suite No. 1 In G Major: Gigue
  7. Suite No. 2 in D minor: Praeludium
  8. Suite No. 2 in D minor: Allemande
  9. Suite No. 2 in D minor: Courante
  10. Suite No. 2 in D minor: Sarabande
  11. Suite No. 2 in D minor: Menuets
  12. Suite No. 2 in D minor: Gigue
  13. Suite No. 3 In C Major: Praeludium
  14. Allemande
  15. Suite No. 3 In C Major: Courante
  16. Suite No. 3 In C Major: Sarabande
  17. Suite No. 3 In C Major: Bourrees
  18. Suite No. 3 In C Major: Gigue
  19. Suite No. 4 In E-Flat Major: Praeludium
  20. Suite No. 4 In E-Flat Major: Allemande
  21. Suite No. 4 In E-Flat Major: Courante
  22. Suite No. 4 In E-Flat Major: Sarabande
  23. Suite No. 4 In E-Flat Major: Bourees
  24. Suite No. 4 In E-Flat Major: Gigue
Disc : 2
  1. Suite No. 5 in C minor: Praeludinium
  2. Suite No. 5 in C minor: Allemande
  3. Suite No. 5 in C minor: Courante
  4. Suite No. 5 in C minor: Sarabande
  5. Suite No. 5 in C minor: Gavottes
  6. Suite No. 5 in C minor: Gigue
  7. Suite No. 6 In D Major: Praeludinium
  8. Suite No. 6 In D Major: Allemande
  9. Suite No. 6 In D Major: Courante
  10. Suite No. 6 In D Major: Sarabande
  11. Suite No. 6 In D Major: Gavottes
  12. Suite No. 6 In D Major: Gigue
  13. Sonata In G Major, BWV 1027: Adagio
  14. Sonata In G Major, BWV 1027: Allegro Ma Non Tanto
  15. Sonata In G Major, BWV 1027: Andante
  16. Sonata In G Major, BWV 1027: Allegro Moderato
  17. Sonata In D Major, BWV 1028: Adagio
  18. Sonata In D Major, BWV 1028: Allegro
  19. Sonata In D Major, BWV 1028: Andante
  20. Sonata In D Major, BWV 1028: Allegro
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エディターレビュー
Apparently, no music could be simpler than these suites, composed for a single, unaccompanied instrument, and each made up of a prelude followed by a series of stylized Baroque dances: allemande, courante, saraband, minuet, bourré/e or gavotte, and gigue. Yet each suite, each movement has a striking individuality and each cellist makes the series his own. It is totally objective music and, at the same time, intensely personal. János Starker's view is spare, ascetic, technically flawless, suggesting much more than it says, like a fine line drawing by an old master painter. --Joe McLellan
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