Classic Kennedy

作曲 Antonio Vivaldi , 作曲 Claude Debussy , 作曲 George Frideric Handel , 作曲 Johann Sebastian Bach , 作曲 Jules Massenet , 作曲 Erik Satie , 作曲 George Gershwin , 作曲 Charles Gounod , 作曲 Johannes Brahms , 演奏 Nigel Kennedy
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マーケットプレイス価格:¥ 649 (税込)

レーベル:EMI Classics
カテゴリ:CD
JAN:0724355689023
Amazon.co.jp 売上ランキング:音楽で50010位

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トラックリスト
  1. The Four Seasons - Summer - III. Presto
  2. Meditation/Méditation from Thaïs
  3. Scarborough Fair
  4. Hungarian Dance No. 5
  5. Nocturne in C Sharp Minor Op. posth.
  6. Gymnopédie No. 2
  7. Prelude No. 1
  8. Air on the G string (from Orchestral Suite No. 3 in D BWV1068)
  9. Danny Boy
  10. Czardas
  11. Sinfonia (The Arrival of the Queen of Sheba)
  12. Ave Maria
  13. The Girl with the Flaxen Hair/La fille aux cheveux de lin (No. 8 of Preludes, Book 1)
  14. Gymnopédie No. 1
  15. Prelude No. 2
  16. The Flight of the Bumble-Bee from The Tale of Tsar Saltan
  17. Banjo and Fiddle
  18. Zigeunerweisen Op. 20
  19. Urge for Going
  20. Melody in the Wind
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エディターレビュー
In Ms Minogue's garish book of weird and wonderful portraits of herself, Kylie, there is one which stands out: it is a simple and beautiful picture of a violin. It turns out that Kennedy has called his violin "Kylie", and so it was deemed worthy of a place in the book. This in-yer-face silliness could go either way, and translate into a trashy populist crossover approach to music--or be the mark of someone who genuinely wants to break down musical barriers and make waves. This album of short concert items proves it to be the latter, for each of the pieces included is not only played with phenomenal stylistic accuracy but with intelligence and wit too. From Bach to Joni Mitchell by way of Gershwin, the pieces spring into life under his fingers. Even the hackneyed chestnuts (Arrival of the Queen of Sheba, Monti's Czardas) feel as if you haven't heard them before--and as if the English Chamber Orchestra haven't played them before, which is a real achievement. Also included are his own arrangements of some folk songs, and one of his own compositions: vaguely Riverdancey in style but with more bite and less blandness. A treat. --Warwick Thompson
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